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Fine Western Art Collections
West Lives On Gallery

Edward Borein    1872 - 1945

Edward Borein was born in San Leandro, California in 1872.  He began sketching and painting at a very early age.  At 17, he became a saddle maker and continued on with the life as a cowboy.  He documented everyday Cowboy life.  He wanted to paint and draw it as it was.  He didn't take any artistic liberty.

What sets Edward Borein  apart from other Western artists is the fact that he never took artist’s license to enhance or over-dramatize his pictures. Borein recorded what he saw. Important to him was recording accurately every detail of the horses, cattle, and gear. In his own words, "I will leave only an accurate history of the West, nothing else but that. If anything isn’t authentic or just right, I won’t put it in any of my work."

Edward Borein rarely used a model. This traces back to the years in the saddle, when it would have been impossible to stop and sketch the things he had seen. He developed a phenomenal memory, and no detail was too minute or unimportant for him. When he set out to make a sketch or even to complete a picture, it was drawn or painted entirely from memory. It is this freedom from the hampering effect of copying that is so apparent in the free style of his work.

Harold McCracken, foremost expert in the field of Western American art, considered Edward Borein as one of the most important of those who portrayed the old-time cowboys and the traditional Indians of the American West. In his words: "Like Charlie Russell in so many respects, Borein’s ability as an artist was a natural one and by natural desire he developed the talent to a remarkable degree, while working as a cowboy…Borein became a master draftsman and he was highly skilled in the handling of watercolors. Some of his classic ink drawings are equal to the best done by any Western artist…"

Many art historians rank Edward Borein right up there with Charlie Russell. Both were excellent artists, both painted from life’s intimate experiences and observations, and both achieved some degree of success during their lifetimes.

For Borein, the old West was rapidly changing. The open ranges of the early cattlemen were being enclosed with barbed wire. The vast herds of buffalo had largely disappeared. The Indian had lost access to his hunting grounds and had been forced to settle on reservations. Ed felt these changes and, developed an insatiable desire to record the disappearing features and character of the early West. Ed was offended with all the romanticized stories that had been written, and by the inaccurate pictures that were being offered as representing the "true" Western scene. Edward Borein, who died in 1945, was one of the last painters to capture the old West from personal observation.


 


"Bell Mare"
etching
• 10" x 12"
SOLD


 


 


 

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